Welcome to Madison Jazz Calendar, a listing of live jazz events in Madison, Wisconsin. Go directly to the calendar, or see below for features, notices, and news about jazz in Madison
Mr Chair’s third studio album was released earlier this month. It is their first as a trio and without electronics. It features their arrangement of George Gershwin’s, “Rhapsody in Blue,” three originals by Jazon Kutz, and Richard Rodgers’ “The Sweetest Sounds.”
Head over to Bandcamp to read the complete liner notes and pick up a copy.
Kick off the fall music season at our iGnitE jAzz kick off, open to all ages and ability levels. The schedule is as follows:
10am – 12pm, breakout workshop sessions:
Option 1: “How to be Successful on Stage at a Jazz Jam,” led by Laurie Lang. This session is appropriate for beginning to intermediate players.
Option 2: Exploring “Time, No Changes”, led by Adam Czerepinski. An interactive session focused on melodic and rhythmic improvisation without pre-defined chord changes.
12pm – 2pm, open jam session (BYO lunch)
2pm – 3pm, presentation Peruvian Coastal Music Traditions Reimagined through Jazz Philosophy/Improvisation with Sebastian Roman and Friends
Witness the powerful impact that jazz theory and improvisation has had on the new generation of “criolla and afro-Peruvian” musicians Peru. In a discussion featuring La Quinta, a Lima-based band that seeks to reimagine what it means to play Peruvian musica criolla (“creole music”). Experience — through listening, seeing and discussing — the power that improvisation has had on our coastal music and the resulting impression on the newer generation of creole artists. We will discuss how Ruben Alonso, the drummer, approaches coastal rhythms such as the festejo, vals, and landos through the lens of a jazz drummer. Alexis Kagüe, the guitarist, will present how he has reimagined the sonority of the traditional Peruvian guitar so prominently featured in musica criolla. Arturo Valdez, the upright bassist, will discuss his inspiration that draws from the lineage of the jazz greats like Reggie Workman and Ben Street, and how that impacts his approach to playing Peruvian music. And finally, Sebastian Roman will explore how his duality of being raised in the US and returning to Peru as an adult has shaped his approach to the Peruvian saxophone, an instrument relatively underscored in Peruvian music but making a strong impact on its newly imagined sound.
October and beyond https://www.madisonjazz.com/events/
The first Saturdays of each month will be hosted at Cafe Coda on Williamson Street https://cafecoda.club/
11:30am – 1pm “Cool School Session” Hanah Jon Taylor with the assistance of a UW jazz studies student will teach a class for middle school and high school students called “Cool School” where they will explore creative improvisation and the future of this music we have called jazz. 11:30am – 1pm “Student Workshop Session” At the same time in a different room another local jazz educator musician with the assistance of a UW jazz studies student will lead the workshop class that teaches people the building blocks of jazz from past jazz repertoire and will practice how to apply these improvisation skills to that repertoire.
1-3pm There will be a jam session on the stage at Cafe Coda. Each class will demonstrate some of what they worked on in each of those classes. The rest of the jam will be organized from a sign-up sheet for people to perform specific songs with a variety of people in a welcoming jazz jam session format.
These Saturday sessions will prioritize those learning to improvise and those who have attended the classes.
The second Wednesdays of each month will be hosted at this old warehouse space that is an arts incubator with a vision to be an arts campus on the south side of Madison called COPA Madison https://copamadison.org/
6-7pm “MJS Workshop” is a jazz workshop where all levels of jazz musicians and jazz enthusiasts join to hear a presentation about an aspect of jazz improvisation. The workshop leaders will also have a component of this presentation that calls the musicians in the room to try out the concept presented. All can participate in this workshop.
6-7:15pm “Vocal-track Workshop” in another room those that want to explore vocal improvisation and circle singing (note: Bobby McFerrin circle songs) will have a session that warms up the voice and gets people singing in a group and learning different aspects of jazz vocals.
7-9PM Jazz Jam Session Each class will demonstrate some of what they worked on in each of those classes somewhere during the jam session. The rest of the jam will be organized from a sign-up sheet for people to perform specific songs with a variety of people in the room. This is a welcoming and inclusive jazz jam session format.
The lineup for Strollin’ Middleton 2025 is listed below. This year all performances take place on the Stone Horse Green, 7550 Hubbard Avenue, Middleton. Admission is free.
Why is it called Strollin’? The original concerts were sponsored by the Greater Madison Jazz Consortium (GMJC) and featured local jazz artists performing at venues close enough so audience members could stroll from one to the next. These happened 2-3 times a year and moved between different locations: Monroe St, downtown Madison, downtown Middleton, Schenk’s corners, Hilldale, and other spots.
Strollin’ Middleton caught on right away and even though the GMJC no longer exists, the Middleton concert series continues and has turned into an annual tradition. All concerts are now held at the Stone Horse Green, so though there no longer is any strolling, the name remains.
Toni Jakovec, an important contributor to Madison’s jazz community, has Stage 3 endometrial cancer. She had surgery in late May and recently began a grueling course of chemotherapy that will continue into mid-October. These treatments, and their aftermath, are leaving her unable to work, most likely through early winter, and are resulting in a substantial loss of income.
Toni has agreed to go public with her situation so that friends can conduct a GoFundMe campaign that will hopefully enable her to remain financially solvent during her chemo treatments and recovery from them. The campaign is now live and people can visit this web page to donate.
Toni has been a force in our local jazz community for the past decade: editing the free monthly Greater Madison Jazz e-newsletter; writing successful grant proposals for Madison Music Collective; coordinating jazz education classes through UW-Madison Continuing Studies; and producing, since the onset of COVID, an annual outdoor concert series in her neighborhood that showcased many local jazz musicians (documented beautifully in the short film, “Mondale Courting“). In its early stages she also curated the Greater Madison Jazz Consortium’s online event calendar.
Now, in her time of need, we are turning to our local jazz community – fans, musicians, educators, and venues – to rally around Toni. Please consider contributing to her GoFundMe campaign and, if you are so inclined, help spread the word and the link.
Thanks much for anything you can do to help!
Howard Landsman Founding Chairman and Board Member (2012-2020) Greater Madison Jazz Consortium
Spectaculous is an offshoot of Madison’s genre-bending group Mr Chair. This single was released yesterday, and is available at Bandcamp, Youtube, and the usual streaming services. All these musicians have strong jazz pedigrees.
Dequadray White, vocals and lyrics Jason Kutz, keyboards Ben Ferris, bass Mike Koszewski, drums
Kxnny, vocals and lyrics Tony Barba, tenor saxophone
Jon Schipper, trumpets Mark Hetzler, trombone Nicholas Bartell, alto saxophone Luke Busch, bari saxophone
Madison Jazz Society is sponsoring a 3 day jazz camp to kick off the 2025 Madison Jazz Festival. It runs from June 5 through June 7 and is described as
A dynamic summer camp and educational intensive designed for jazz enthusiasts of all ages and skill levels. This immersive experience offers flexible programming tailored to three distinct groups, ensuring an engaging and enriching journey into the world of jazz.
Madison jazz fan and organizer, Howard Landsman, sent in this notice.
Jane Reynolds and Fabu Carter perform at the 2010 Mary Lou Williams Centennial Celebration
Fabu Phillis Carter, the City of Madison’s first African American Poet Laureate as well as a scholar and educator, and Jane Reynolds, the superb jazz pianist and retired co-host of “Strictly Jazz Sounds” on WORT-FM, will perform their unique program – “Remember Me: Mary Lou Williams in Poetry and Music” – on Saturday, May 10th, at the Kennedy Center in Washington D.C. as part of the 2025 Mary Lou Williams Jazz Festival.
Fifteen years ago, in 2010, our community celebrated the 100th birthday of Mary Lou Williams, the legendary jazz pianist, composer, arranger, bandleader and educator who conducted a memorable residency at the UW-Madison in 1976. Under the guidance of artistic co-directors Fabu and Jane, and with assistance from the Mary Lou Williams Foundation and the Institute of Jazz Studies, our local Centennial Committee produced a diverse year-long array of concerts of Mary Lou’s music and educational programs that illuminated her contributions to American music and culture, engaging more than 8,000 people in the process. One of the Centennial Celebration’s highlights was the jazz-and-poetry program about Mary Lou that Fabu and Jane delivered at concert halls, schools, and other venues across Dane County. (more…)
Los Angeles-based saxophonist and composer Dennis Mitcheltree (born and raised in Wisconsin), and pianist Johannes Wallmann (the Peterson Chair in Jazz Studies at UW-Madison) recently released Holding Space, a duo album of all original compositions. It is available at Bandcamp. Here are excerpts of the liner notes:
Holding Space is an intimate acoustic jazz album of duet performances by tenor saxophonist Dennis Mitcheltree and pianist Johannes Wallmann.
Featuring all original compositions and highly conversational improvisation, the recording celebrates a friendship and near telepathic musical chemistry established over three decades of collaboration, including six tours of the U.S., two tours of Germany, as well as three previous albums led by Mitcheltree and one by Wallmann.
Gabriel Heinemann is a saxophonist originally from Madison. He graduated from Oberlin College in 2022 and now resides in Chicago. “After a Break” is his first full length CD and is available on Bandcamp.
Gabriel’s Trio is playing at Audio for the Arts on March 8th. Here are the liner notes:
Informed by a collage of styles including avant-garde jazz, post-bop, and indie rock, “After a Break” is a blend of improvisation, open-form composition, and melodic interplay.
All compositions by Gabriel Heinemann except Isotope (Joe Henderson)
credits
released June 7, 2024
Gabriel Heinemann – Saxophone/electronics and composition Owen Frankel – Bass Jeremy McCabe – Drums